a
Friday, November 1, 2024
HomeArts & LifeLocal Entertainment News (Page 139)

Photo gallery from Sunday’s Sawyer Brown, Shenandoah, and George Fox concert held in Brandon

Community Infusion Winners Announced

Elmo, Abby Cadabby, and Cookie Monster coming to Westoba Place

Brandon Welcomes Top Artists for Public Concerts at Manitoba Showcase 2024

Keystone Welcomes the Return of the Arabian Horses with Canada’s National Arabian Championship

Keystone Centre Introduces Partnership with Farmery Estate Brewing Company

Brandon Bits and Bites

CPKC Holiday Train to make Brandon stop in 2024

ART, POETRY, STORYTELLING AND HIP HOP SHOW COMING TO GLOBAL MARKET ON JULY 8TH

ART, POETRY, STORYTELLING AND HIP HOP SHOW COMING TO GLOBAL MARKET ON JULY 8TH 5-8PM A swarm is coming! The Beehive Design Collective and Test Their Logik will be coming to Brandon, MB. They will be combining storytelling and presentations of their most recent masterpiece, MesoAmérica Resiste! with hip-hop performances and shows by Test Their Logik. They will be travelling with giant art murals, a distro of activist art and literature, stories, songs, and experiences to share. Global Market is pleased to announce that this collaboration will be presenting and performing at the Market on July 8th, from 5 to 8pm.  The event is free and open to the public but, we will be accepting donations at the entrance that will go toward Canadian Mental Health Association Westman Region (CMHA) programs. Food and refreshments will be sold at our new Global Market Lemonade stand through the course of the evening. The Beehive is an all-volunteer swarm of educators, artists, and activists who use images to communicate and educate people about the complex realities of our times. The dizzyingly detailed, hand- drawn, large- format posters and banners they tour with are portable murals that come alive through storytelling, illuminating how single issues are interconnected and part of bigger systems. Join in as the Bees deconstruct often overwhelming global issues in an engaging and interactive presentation, using metaphors from the natural world to connect social and environmental struggles. We will kick the event off with a workshop, presented by Darius from Test Their Logik, at 5pm in the Medallion Room located at 23-12th street, attached to the Building Re-Fit Store. This workshop will have a focus on social justice issues around the world and hip hop which will be lead as a participatory and hands-on workshop for youth on the interconnections of hip hop culture. Followed after the workshop there will be a presentation of recent artwork done by artists from the Beehive Design Collective. Ending the evening with a hip hop show from Test Their Logik who is already working on their third album after recently releasing their second, “BE”. “We are really looking forward to this group coming to our community.” Says Ashley, “I first met them last year when they stopped in Brandon and was instantly inspired by their passion and beautiful yet powerful creativity. I hope that this event will bring a feeling of community or social awareness to those who attend, especially youth in this area.” Check out the event on Facebook @ Live Hip Hop, Storytelling, and Art Show To find out more about this inspiring collaboration check them out at: The Beehive Design Collective:   http://beehivecollective.org/ Test Their Logik:  http://www.testtheirlogik.com/   For more info or questions about this event please contact: Ashley Sadler Phone: 204-441-0446 Email: globalmarketkitchen@gmail.com CMHA Westman 1233 Rosser Avenue Brandon, MB R7A 0M1

Countryfest 2016 Weekend Wrap Up

Dauphin’s Countryfest is Canada’s longest running country music festival celebrating 27 years. The weekend celebration was a fun-filled, 4 day event that was packed with music and activities. So many options available, that it is impossible for one person to partake in everything! There was something for everyone’s preferences; great entertainment, contests(flip cup & perogy eating), beach volleyball, helicopter rides, mechanical bull ride, bubble soccer and endless games at campsites and creek gatherings. Countryfest is about meeting old friends and making new friends and enjoying what the weekend has to offer. Thursday night, Trooper and BlackJack Billy kicked off the festival on the hill top stages with high energy shows. These bands had both the Credit Union Corral stage and the MTS stage crowd fired up for a good time. Friday coincided with Canada Day, so celebrations were definitely in order. The Manitoba Liquor Lotteries Main stage was loaded with talented Canadian music all day long from Autumn Hill, The Lovelocks, Cold Creek County, High Valley, Dallas Smith and Dean Brody. The unique amphitheatre is quite a powerful environment, when the musicians have the crowd on their feet dancing and singing the lyrics to the songs. In between one of the sets, the crowd spontaneously burst into patriotism by singing Oh Canada. The night of Canadian entertainment ended on the hilltop with Chad Brownlee on the MTS stage and Barrcuda(Heart tribute band) on the Credit Union Corral stage. Saturday was another day of solid musical acts. The Manitoba Liquor Lotteries Main stage featured local Roblin, Manitoba talent of the Ryan Keown Band in the afternoon. The evening line up was spectacular with Chris Janson, Thomas Rhett and Lady Antebellum. Chris Janson brought two young siblings(Jace and Jordan Woloski) from Rapid City, Manitoba on stage to help sing his hit, “Buy Me A Boat”. Thomas Rhett also brought a male out of the crowd to sing a verse of Garth Brooks “Friends In Low Places”. Lady Antebellum’s Charles Kelley came right through the crowd! The full amphitheatre was high energy all evening! Sunday musical acts were pure classic country. The Merle Haggard Tribute was pretty empowering. Merle’s sons, Noel and Ben Haggard, as well as Merle’s long time band, The Strangers put on a spectacular show. For anyone that was at Countryfest on Sunday, they can attest that the weather was pretty dreary and wet all day, but from the moment The Merle Tribute started, the sun came out for the first time. Maybe Merle was watching over his sons! The crowd enjoyed the classic songs of “Mama Tried”, “Silver Wings” and “Okie from Muskogee”. Unfortunately, Jamey Johnson was unable to attend. Following, the Merle Haggard Tribute, Terri Clark proved that 21 years in the music business that she has hit after hit. She put on an incredible performance. After a delay, the patient crowd enjoyed Dwight Yoakam. He sang all his classics from “Guitars, Cadillacs”, “Fast as You”, “Streets of Bakersfield”, “A Thousand Miles from Nowhere”, “Lttle Sister” and “Suspicious Minds”. The night ended on the hilltop stages with Dirty Catfish Brass Band and Deric Ruttan. Overall, the weekend was fantastic and social media accounts are booming with pictures and videos, check out #cfest2016, to see what you may have missed this year. Watch the Chevy Top 20 Countdown on CMT to see clips and interviews from Dauphin’s Countryfest, that airs this Saturday July 9. I just wanna say, job well done to all the Dauphin’s Countryfest organizers and volunteers for yet another memorable year. I can't wait till the lineup for Dauphin’s Countryfest 2017 is announced …. Who would you like to see there next year?

Summer Lights Festival: Artist Bio’s

VALDY - JUNE 16 Valdy, born Valdemar Horsdal in Ottawa, Canada has been part of the fabric of Canadian pop and folk music for over 34 years. A man with a thousand friends, from Newfoundland to Vancouver Island to Texas to New Zealand, he's a singer, guitarist and songwriter who catches the small but telling moments that make up life. Remembered for Play Me a Rock and Roll Song, his bitter-sweet memory of finding himself, a relaxed and amiable story-teller, facing a rambunctious audience at the Aldergrove Rock Festival circa 1968, Valdy has sold almost half a million copies of his 13 albums, has two Juno Awards (Folk Singer of the Year and Folk Entertainer of the Year), seven Juno nominations, and four Gold albums to his credit. One of Canada's most influential songwriters, Valdy's composition A Good Song was recorded under the title Just a Man by the venerable Quincy Jones (he sang lead on the recording!). Play Me a Rock and Roll Song has been recorded by a few artists, including John Kay of Steppenwolf. Along the way, Valdy has taken his music to a dozen different countries, from Denmark to Australia and recently New Zealand. He has been an often-invited performer at the Kerrville Festival in Texas. His recent television appearances include Canada AM and Open Mike with Mike Bullard. Valdy has also been a panelist on Front Page Challenge, and played a lead role in an episode of The Beachcombers original series. Today, he is based on Salt Spring Island, where he lives with his wife Kathleen, three dogs. All three children are grown, flown and doing famously, living in or near Vancouver, or Colorado. Ridley Bent - July 14 Ridley Bent is back with his latest release Wildcard the anticipated follow up of Rabbit on My Wheel showcasing the Western Canada based Country artist's keen fascination for characters whose life on the straight and narrow rarely lasts past the nearest exit to a short, crooked road. Ridley Bent continues to weave tales of wisdom and intrigue with titles such as 'Fill Yer Boots' about a truck driving card player, and 'Crooked and Loaded' written about a shootout with a posse of outlaws. Produced by the John MacArthur Ellis and supported by an all-star band of country musics finest Wildcard will take your mind away and get your toes tapping as Ridley Bent does what he does best..! On Wildcard the 2009 CCMA nominee and 7-time BCCMA winner's storytelling and songwriting chops are sharper than ever. Although the tales are still as tall as they come, and the characters as large as life or larger, the cast of hard-drinking, fast-driving characters Ridley unleashes on Wildcard tend to be a shade less hell-bent on self-destruction than they are with keeping their lives between the lines and out of the ditch. Channeling the high-energy performance ethic of artists like Dwight Yoakum and Little Feat, Ridley and his band tear a deep strip off the joint with tracks like 'Brooklyn Texas'. Of course these are love stories told the way only Ridley can; tracks that run the gamut from hard and bitter to hardly better, including a beautifully rendered, deliberately down-tempo take on the classic Tom Petty song , 'You Got Lucky' While much of Ridley's new material is drawn from real life experiences he's gathered up on the road, Wildcard still has its share of shady characters, jackknifing tractor-trailers and whiskey-fueled bar fights. And for those who identify strongly with Ridley's less reasonable characters - the ones who tend to prefer to stir things up with a pistol in one hand and a bottle in the other - there's 'The Blood Trilogy'. A companion EP recorded during the same sessions and co-written with Dunn - a highly satisfying three-song western epic of violence and vengeance informed by Ridley's ongoing fascination with the bleak worlds of writers like John Steinbeck and Cormac McCarthy. Donovan Woods - August 18 Donovan Woods’ work is guided by a mantra that only sounds simple: Good songs win. Woods was raised in the small city of Sarnia, Ontario, to the sounds of country music, with a healthy dose of folk and pop, a combination that instilled in him a strong belief in the power of a good melody, the importance of everyday language and the potential of a carefully-crafted song. While amassing a catalogue of rousing and acclaimed music of his own, he has worked with some of the top songwriters in North America to craft cuts for performers ranging from Alan Doyle to Billy Currington. It’s not that Woods makes music that is a product of both country and folk; it’s that he makes music that shows how distracting the line separating the two can be. Like with so many songwriters of note, what matters isn’t what you call it, or where it comes from, but the stories you tell, and the voice you use. And whether it’s Tim McGraw singing from atop a full-throttle stadium-show stage or a line whispered by Woods himself in a more intimate environment, one thing remains clear: Woods’ is a voice that demands attention. That attention has been quick in coming, bringing international accolades, a growing number of fans inside and outside the music industry, and proclamations like “Canada’s best-kept secret,” “piercingly honest” and “quietly anthemic.” Throughout his work, Woods has remained focused on his one deceptively unassuming intent: crafting good songs – with an emphasis on ‘craft’. It’s that mastery of the craft that places Woods squarely among the long line of great Canadian songwriters that have come before him: Artists whose work showcases the art of songwriting, and the painstaking effort to perfect everything from the title to the delivery. You can hear these forebears, and his contemporaries, in Woods’ music, but you can also hear the tradition being carried forward: Stripped down, but never simple; direct and poetic; new and timeless; all delivered with a confidence and in a voice that you wouldn’t expect from someone as young, approachable, or humorous as Woods. And so, the trials and tribulations of living in a rustbelt town, the legacy of a CFL champ, navigating Facebook – all, and more, are fair game. All are probed with Woods’ unique combination of sharp eye and singular voice, and all ring equally familiar, and true. They are songs that come from experience and observation; from the journey of the songwriter who has been there – and one that’s just as comfortable telling you about it onstage as he is offstage. What unites all of Woods’ material is the people he sings to and about. Rather than an idealized working-class-hero version of “The People,” it’s the people that we know – the people that we are. Donovan Woods knows how we speak, think and act, and has a way of saying exactly that – and so much more – in a voice that we’ve been hearing for as long as people have been singing, and the likes of which we’ve never heard before. Woods’ fourth studio album, Hard Settle, Ain’t Troubled, follows his JUNO Award-nominated Don’t Get Too Grand, and sees the songwriter in top form. Whether big ideas or seemingly minor incidents, broken promises or the promise of romance, Woods’ stories affect listeners deeply. As he dissects the downward spiral of a small town (“They Don’t Make Anything in That Town”) you feel for the folks left behind, and a subtle string arrangement adds a delicate emotional layer that avoids overcomplicating or distracting from the song’s basic tone and language. The offbeat rhythm of “On the Nights You Stay Home” elicits the excitement of a hoped-for big-city quiet night in, while faced with the terrifying number of modern-day opportunities to be jealous. Rewriting history to confront a breakup (“We Never Met”) is a new twist on telling the story of a relationship – even if it might not be a reasonable coping strategy. Given Woods’ songwriting successes you can’t help but ascribe “Leaving Nashville”’s dark vision of Music City, USA to an active imagination, but the details contained in the lyrics make you wonder about his source material. Throughout Hard Settle, Ain’t Troubled, what is clear is that Donovan Woods possesses a voice made to tell stories – his stories, and ours – and one that can’t be ignored.

Heathers Hits The Stage! Presented By Westman Theatre Group

Brandon’s newest theatre group was designed to serve the entire Western Manitoba region, hence the name. The brainchild of Lisa Vasconselos and Katherine MacFarlane Sherris two long time teachers (MacFarlane Sherris at Riverheights, Vasconselos (Rolling River School division), Westman Theatre Group is an offshoot of Mecca Productions Theatre. Kate and Lisa are a dynamic-duo who have been long-time friends and veterans of the local theatre scene through their many years with Mecca. With Westman Theatre Group they get to spread their wings a bit more than usual. This is the case especially with the subject matter in their latest production Heathers which opens tonight (Wednesday, June 15th and also takes the stage at the Keystone Centre Amphitheatre this Friday, June 17th.  To shed some light on what theatre supporters can expect with this major production BDNMB.ca presents this brief Q & A with Westman Theatre Group Music Director Katherine MacFarlane Sherris. FM: What was the motive behind going with such an edgy storyline? KMS: Lisa Vasconcelos and I had the opportunity to see Heathers in New York, two summers ago, along with two other friends. We had all seen the 80’s cult classic movie and had ‘lived through’ high school in the 80’s so the musical really resonated with us. While the storyline is definitely edgy, there also very poignant moments in the show. I think it is a sign of strong writing when an audience can go from tears to laughter in seconds. Is it your intention to push the envelope a little bit with this particular production? I wouldn’t say that we ‘set out’ to push the envelope, but we knew that taking on a show with edgy content would challenge us in a variety of ways. We always want to be respectful of our cast members and our audience, while honouring the writers and composers in telling the story they have written. We have laughed a lot in rehearsal and have enjoyed working with these young, talented cast members to tell this story. Sometimes, edgy content makes us ‘cringe’ because it pushes us into uncomfortable territory. That being said, I think that that discomfort can cause us to reflect, think, defend our views and make connections to some of our dark or difficult experiences. The themes in this show are still very relevant and can hit close to home. Today’s young people face so many of the same struggles that their parents did as teenagers. It might just look more ‘high tech’ today. We are very excited that The Middle Coast is bringing this challenging rock score to life. I think that many people in Brandon are familiar with The Middle Coast (formerly Until Red). I definitely see them as ‘up and coming’ in the music scene and I am delighted to be working with them, along with our pianist Shirley Martin. Is the show open to all ages? This musical definitely has mature content and is not a ‘family show.’ Our cast members are young adults and, if they are still in high school, Lisa was very clear that parents needed to be aware and on board with the more risqué content. Most of our young actors had already listened to the soundtrack and watched YouTube clips prior to auditions so they had a good sense of the nature of the show. Picture Left to right Katherine MacFarlane Sherris and Lisa Vasconselos, co-creators of Westman Theatre Group (photo submitted) How many major productions are you planning to do with this new company? I think that will depend on what shows capture our interest in the future. Lisa and the Mecca team have worked hard to establish a reputation in our community for putting on ‘family-friendly’ shows and offering opportunities for children and families to participate in classes, choirs and musical theatre productions together. We will continue to keep that focus with Mecca because we believe so strongly in the positive impact of these programs. That being said, it is great to have a company that allows us to pursue other theatre opportunities – like Heathers – that have a mature theme and content, separately from Mecca. What ratio of productions will be open to “all ages” casts and audiences as opposed to adult casts and audiences? Again, I think it will depend on what shows come across our path. There are so many great shows out there! Some of them are available now and there are others that we are waiting for the rights to become available. Depending on the content, we would decide what would be most appropriate, in terms of producing it under the Mecca or Wheat City Theatre umbrella, as well as the appropriate ages for cast members. How do you foresee things improving for the local theatre scene over the next few years? We really are incredibly fortunate in Brandon and the Westman area to have such a thriving and active performing arts community. I have friends who live in much larger urban centers who struggle to find the kind of opportunities we have here. I have enjoyed so many memorable theatre moments: on the stage, in the pit, from the wings and in the seats; I am excited to see what the future holds. Show times 8pm tonight (Wednesday, June 15th & Friday, June 17th) in the Keystone Centre Amphitheatre. Tickets available at tickets.keystonecentre.com

Little Valley Jamboree June 18 & 19

The Little Valley Jamboree is an annual musical festival that is held to raise awareness, support and fund for special needs children in the area and throughout Manitoba.  The two day event is held the third weekend in June in Erickson, MB. The Jamboree is completely volunteer based and is family orientated. Monies raised at the festival goes to special needs children to assist families with medical treatments, special needs devices, travelling expenses and any unforeseen expenses. Two families and their children are selected each year to benefit from this fundraising. Monies are raised through donations, either cash or merchandise for our Auctions, Chinese, Silent and Live Auction. Raffle tickets are sold leading up to the event. (see more in the FAQ). Bring your family and friends out for a weekend of fun for a great cause - there are camping areas right on site, or day parking if you would like to drive up for the day. Entertainment Line-Up Saturday- 2pm -11pm **The Cookshank Shakers **The Country Connection Revival **Michael Campbell and Friends **Live Auction  **Better Than Sunday 12noon - 8pm **Lazy Creek Express **Along for the Ride **Laurie and the Kids **Crossfyre **Kristen Nerbas **Smith & Wesson Tweeners: Laurie Larsen, Kristen Nerbas